Саммари «The Devil in the White City»

Erik Larson’s "The Devil in the White City" is a work of narrative nonfiction that braids two true stories against the backdrop of the 1893 World’s Columbian Exposition in Chicago. The book’s central framework is a parallel structure: alternating chapters follow Daniel H. Burnham, the exposition’s chief architect and director of works, and Herman Webster Mudgett, better known as Dr. H. H. Holmes, a pharmacist and serial killer who operated near the fairgrounds in the Englewood neighborhood. The Burnham chapters chronicle the immense logistical and artistic struggle to design and build the White City, the fair’s neoclassical dreamscape of white stucco palaces. Larson details the fierce disputes over the fair’s location, the engineering challenges of constructing the world’s first Ferris wheel, and the pressure on Burnham after the deaths of several collaborators. The narrative also addresses the fair’s role in introducing products and ideas to millions of visitors, from electricity to the Pledge of Allegiance. The Holmes chapters focus on his construction of a specially designed building near the fair, which he used to lure victims, and the gradual uncovering of his crimes after the exposition closed. Larson draws on trial records, newspapers, and historical archives to reconstruct Holmes’s methods and the lives of those he targeted. The book does not sensationalize beyond the documented record; instead, it uses the fair’s optimism as a counterpoint to Holmes’s predatory presence. Through this dual narrative, Larson examines ambition, deception, and the emergence of modern urban America at the turn of the twentieth century.